Raul Guerrero Exhibition: Objects, Installations, Photographs, Kinetic Work, 1974 |
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The argument of Guerrero's "Rotating Yaqui Mask" (1973) is elegant. The object isn't meant to be contemplated as a precious artifact, even if it is persuasively demonic; it was intended for use in ritual dances. Thus, the viewer can make it twirl and perform a kind of surrogate ritual. Guerrero's use of the mask is a fresh, wry slant on a conventional symbol — an it's an inspired trick he manages repeatedly in the retrospective. " Robert Pincus
>>San Francisco Chronicle, Thurs., Dec. 8 1977 by Thomas Albright
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